When Fact Becomes Fiction

When Fact Becomes Fiction

I was recently interviewed by a journalist about the release of my historical thriller The Engraver. The Dutch edition of De Graveur spins the tale of famous Baroque painter Rubens, his chief engraver Lucas Vorsterman and a stolen treasure. When the journalist asked...
The ENGRAVER in Dutch

The ENGRAVER in Dutch

While I was writing The Engraver, I imagined most of the characters spoke Dutch to one another. The seventeenth-century protagonist Antonia chattered in Dutch to the family maid as they walked to Grotemarkt in the centre of Antwerp. The modern-day protagonist...
Embracing Failure

Embracing Failure

Writer Samuel Beckett coined the phrase “Fail again. Fail better” in his penultimate novella Worstward Ho in 1983. It became the mantra for individuals, entrepreneurs and writers around the world, urging them to overcome their challenges and continue striving to reach...
Dual Narratives

Dual Narratives

Dual narratives have always fascinated me: transitioning from one character or time period to another, an intriguing juxtaposition of language, idiom, objects and customs that describes two distinct stories and weaves them together to make a whole. My fascination goes...
Nothing Wasted

Nothing Wasted

When I completed the first draft of The Engraver, I honestly believed it was pretty good. My brash opinion lasted only a few days. After I climbed down from my pedestal, I looked at the manuscript with fresh eyes and realised that no one would publish it in its...

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